Story of Japan

Japanese History and Research for a Historical Novel

Author: David

Why Research is Important

Carol and I just recently finished our second novel, Tiger in the Shadows. Unlike our first novel, which was an historical fantasy set in the Heian era of Japan, the new novel was set in Edo period, in the year 1680, to be precise. It was very interesting to study the time period of the Tokugawa Shogunate. Japanese historians label the Edo period, which ran from 1600 to 1876, the “Early Modern” period of Japanese history. This designation is quite apropos. It is startling how modern this period of Japanese history feels, particularly when examining the urban culture of Edo, Kyoto, and Osaka, the three large cities that dominated this period. Edo, in particular, was a vibrant, thriving city that epitomized much of what we would consider an “urban lifestyle.” During much of the Edo period, it was the largest city in the world, having an estimated population of over one million by the end of the seventeenth century. According to Nishiyama Matsunosuke

This was a period of unprecedented cultural prosperity. Even the general public took part in leisure pursuits and played an active role in the creation of new cultural norms. The average commoner read books or visited the theater; some even wrote haiku verses and senryu (seventeen syllable comic verse) or performed musical genres such as gidayu, kato bushi, shinnai, or nagauta. Others went on pilgrimages sponsored by religious associations an toured distant places. The Edo period saw a rise in the quality of the culinary fare that commoners consumed; clothing and housing too showed marked improvement. Even the poor managed occasionally in the luxury of purchasing a “custom-made” comb or an ornamental hairpin. The demand for such cultural items fostered a highly refined handicraft industry.[1]

Edo had the world’s first mass-consumer culture. The cultural items that Matsunoke references above were often sold in catalogs that bear a striking resemblance to the catalogs of Sears Roebuck and Company that would debut two centuries later in the United States. Bookstores sold novels whose publication runs numbered in the hundreds of thousands. There were dozens of theaters performing the latest kabuki plays, which featured performers every bit as popular and well-known as a modern movie actor or rock star. The clothing these celebrities wore became the latest in fashion and were marketed throughout the country in catalogs similar to those used for the cultural items. Huge corporations had chain stores in the big cities and sometimes even in some of the larger castle towns.

However, the resemblance to modern culture was not just in the more pleasant and inconsequential aspects of life. The Tokugawa shogunate was the world’s first modern police state. In addition to the usual police forces to maintain order in the cities, there was also an extensive secret police apparatus whose primary purpose was internal security. They employed an enormous network of paid informers to keep tabs on the populace.[2]

For someone viewing the Edo period from a modern perspective, it all feels very familiar. It is easy to forget that it was a very different culture. Carol and I ran into this while writing Tiger in the Shadows. In the course of the novel, we need to stage an uprising by the inhabitants of Edo. We thought, “What kinds of things cause people to rise up and riot against their government?” We chose a time-tested and common grievance of citizens everywhere — high taxes.

There was only one problem with that. For all the political and mercantile sophistication of the age, the government was still run on age-old principles. And in the East, the oldest principal of all is that rice is the measure of wealth. Outside of revenues from gold and silver mines and other government owned facilities, the revenue for the government came from rice taxes levied on peasants who worked the fields outside the main urban centers. Despite the fact that Edo, Osaka, and Kyoto were three of the most commercially active and wealthy cities in the world, it apparently never even entered the minds of the rulers to tax commercial transactions or to levy some kind of property tax on residents of the cities. In the latter part of the Edo period, the Tokugawa shogunate faced terrible financial difficulties, so much so that they were almost insolvent by 1876, when they were overthrown. Despite this, the shogunate never made any attempt to find alternative sources of funding. Thus, our idea to have the city population revolt because of high taxes was a complete non-starter — they didn’t pay any taxes.

Once we discovered the absence of taxes on the urban population, it was easy to see how it had come about. The Tokugawa government was an evolutionary adaptation of the military governments that had existed in Japan since 1185. The “rice tax as revenue” model dated from over a thousand years before, when there was no appreciable large scale commercial activity. While the government was evolutionary, the times were revolutionary. The mores and sensibilities, lifestyles, and large commercial sector that were the hallmark of the Edo period were new and different from anything that had come before. The Tokugawa shogunate was a fundamentally reactionary government. Its main purpose was to maintain the status quo of the military class as ruling elite and the Tokugawa family as the leaders of the military class. The men who had power in the government were constitutionally incapable of understanding the changes going on around them and so, were unable to take advantage of the opportunities they afforded.

And that is the lesson here. No matter how much a different culture resembles your own, there are going to be surprising differences. Or perhaps the lesson is that no matter how hard you try, it is almost impossible to rid yourself of your innate biases. It never even crossed our minds that the Tokugawa government would work so differently than European governments of the same time period. We allowed superficial similarities to fool us.

There are a couple of interesting points here for aspiring writers. First, it is almost impossible to overcome your innate biases. Until I had my nose rubbed in the fact of the absence of any taxes on the city dwellers, it never would have even crossed my mind. Who would have believed that a government finance officer would be so unimaginative to not invent sales tax, income tax, and property tax? It is like it is a fantasy world. Carol and I allowed superficial similarities between the shogunate and European cultures to fool us into thinking they would operate similarly to European monarchies of the same period. Second, no matter how familiar something seems, it is probably different than you believe. Writers who are world building for a fantasy or science fiction novel should take this to heart: When you make a government or corporation, mix things up. Don’t always do things the way that we do it at home. Have your galactic empire collect taxes on only the energy output of your planets or something. Give them a surprising way of doing things and then figure out what the implications are. If you are clever, you might find ways to improve your novel while you are at it.

Going back to our original problem, you may be wondering what Carol and I did when we couldn’t raise taxes. We finally decided that rice prices are so high that the people riot in desperation to try and get some action to relieve the food shortage in the capital. Fortunately, rice riots were a staple of the Edo period, so we are on solid historical ground here.

[1] Matsunosuke, Nishiyama, and Gerald Groemer. Edo Culture: Daily Life and Diversions in Urban Japan, 1600-1868. University of Hawai’i Press, 1997.

[2] Edo Period Police (Infogalactic Article)

Larry Correia: Writing Class–Week 3

How to Make A Living As A Professional Fiction Writer

Larry Correia: Writing Class–Week 3

So, here is the third installment of the notes for the class Larry gave at Weber State University at the end of May. There is one more part to go, and the length of time it will take to get up is dependent on a number of indefinable elements, the most important of which is “When will he get up off his ass and do something?” As before, I have placed links to the various portions of the lecture to help you navigate more easily. Have fun and hopefully, this will help you become a better writer.

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Larry Correia: Writing Class–Week 2

How to Make A Living as a Professional Fiction Writer

Larry Correia: Writing Class–Week 2

Yes, I know, it has been months since I put the first one up, but real life has a tendency to get in the way of one’s plans. It will be nothing like this long until I get the third one up, I have the transcription finished and just need to convert it to HTML. With luck, it will be up later today. The final one may take a bit longer, I have some deadlines for my book and some commitments on an iOS program I am working on. With luck, however, it shouldn’t take more than a week. To help navigate this very long document, I have added links to all the sections at the top. Hopefully this will have been worth the wait.

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Larry Correia: Writing Class–Week 1, part 2 of 2

How to Make A Living as a Professional Fiction Writer

Larry Correia: Writing Class–Week 1, part 2 of 2

Writing as Business

There is nothing wrong with things being rejected, but traditional publishing has gatekeepers and literary agents have their own standards. The funny thing is that there are bunches of literary agents that would love to be Larry’s agent, that would be a nice income stream for them, but they all rejected him. All a rejection means is that the educated guess of the publisher is that they can’t make any money on the product. There are lots of biases, political, incorrect beliefs, and other stuff go into these decisions. JKRowling, who owns Britain and recently bought Scotland as a guest house, was rejected everywhere. There was not a lot of interest in her stuff from British publishers, but in the USA, she got into the Scholastic flier and then things went completely crazy and she caught on everywhere. Continue reading

Larry Correia: Writing Class–Week 1, Part 1 of 2

How to Make A Living As A Professional Fiction Writer

Larry Correia: Writing Class-–Week 1, part 1 of 2

Welcome. I am your host for this report of Larry Correia’s Creative Writing class taught at Weber State University How to Make a Living as a Professional Fiction Writer. He kindly agreed to allow me to put this together and put it here on my site. This presentation is based on the notes I took during his lecture last night. I have tried to keep as much of the spirit of his discussion as possible, while occasionally adding my own interlocutions. I have taken the liberty of rearranging some of his comments to more closely adhere to the structure of his class. So, this is not a direct transcription of the class, but massaged for understanding.

One Easy Trick To Become A Professional Writer

People are looking for the secret to become a successful novelist. Among those who attempt a professional writing career, there is a 99.999% failure rate. However, the mere fact that you are trying to get better at your craft puts you ahead of the game. That being said, there is one easy trick to becoming a professional writer:

  1. Get good enough that people will give you money for your writing.
  2. Find those people to give you their money.

The steps are simple, but the devil is in the details. Continue reading

Genesis of a fight scene

One of the most difficult parts of writing a book is making sure that everything is expressed well. There are all sorts of rules – avoid passive verbs, limit the number of adverbs, vary sentence length – but what they all boil down to is “make your writing clear, and help the reader understand what is happening.”

This is particularly difficult when dealing with fight scenes. There are a lot of people who will tell authors that they skip past the fight scenes and just jump to the end to see who survives. For some authors, the takeaway from that is that they can do a crappy job on their fight scenes.

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How to make no money and lose your mind, in one easy lesson

So, I wrote a novel. (Actually, my wife Carol is coauthor. In truth, the book would look nothing like it does now without her constant input, edits, criticism, and brainstorming. It is a much better book than I could have done on my own. However, for simplicity’s sake, I am going to use “I” here. If she wants to talk about her experience working on the book, she can write her own post.)

I had been working on it off and on for about a year, and last November, NaNoWriMo 2014 rolled around and inspired me to work during all of November, so by the end of the month, I had completed the novel, a book set in 12th century Japan that covers the misadventures of a down-on-his-luck bushi who is unfortunate enough to agree to help an old flame with a “small” favor. That small favor gets both of them involved in court politics and a plot to seize the imperial throne. That will teach him to do someone a favor.

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